Monday, December 25, 2017

Nice China Two Shot Plastic Parts Factory photos

(Posted from China Injection Mold blog)

Some cool china two shot plastic parts factory images:


A Ticket to Ride the TranSiberian
china two shot plastic parts factory
Image by Viewminder

Cut off from the sea by the suspicious port authorities in Shanghai it seemed that the only way I was going to get out of China was overland. This was my ticket.


In Shanghai I had inquired of every traveler I met about the path ahead of me. I had heard tales of this magnificent and exotic railway adventure before… they called it the greatest railway journey on earth. The longest stretch of steel rail ever layed.


An Australian traveller named Mark told me that he had heard that there was a guy in Beijing who could get me a ticket.


I asked Mark how I could find this guy in Beijing. He said just go there and ask for ‘The Crocodile.’ Just go to a city of some ten million souls and ask for ‘The Crocodile’? It sounded almost insane to me.


Ditching Mark after he made moves on my Chinese girlfriend and ditching my Chinese girlfriend after she got all worked up when a soldier who was following me took a picture of us together on the riverfront… I understood her fear in that time of Tienenmen Square and I knew it was time once again to get moving. It was time to move north to Beijing… the city they once called Peking.


Tsu Tsu Mei was a nice girl. She had told me to call her Eleanor… because that was what she called her ‘American name.’ I couldn’t do it because she just didn’t look like an Eleanor to me… I always called her Tsu Tsu Mei. And I think that she really liked that I did… it would have been easier to call her Eleanor I’m sure… but each time I called her ‘Tsu Tsu Mei’ she gave me this look… it started with a big warm vulnerable smile that made it seem to me that she was melting inside with warm thoughts and shaking knees.


That look always made me want to scoop her up in my arms and give her the same feelings right back. Whenever I said her name and got that look… it just kind of summed everything up right there in that moment. I really liked that. Sometimes I wished that it had gone farther but the way it ended is why I have the memories I do… and I hope she does too… we never hurt each other… never not once… it was the hard and cold government of an opressive authoritarian regime that broke both of our hearts there in Shanghai. It wasn’t either of us… it wasn’t our fault.


I was with Mark the Australian when I met Tsu Tsu Mei… we were tooling around Shanghai and we had just gotten on the bus after a tour of the Shanghai Waterpipe Factory Number Seven where I had just purchased a fine example of a brass opium waterpipe. We had seen the place while riding the bus and jumped off… the factory was really happy to have foreigners tour the place. I couldn’t believe that there were at least six other water bong factories in Shanghai. Somehow we had found the seventh.


As foreigners we were pretty much used to talking in english right in front of people knowing full well that they couldn’t follow our conversation… especially the slang riddled prose we frequently used. When Tsu Tsu Mei got on the bus and stood next to me I turned to Mark and said "man she is the most beautiful Chinese woman I have ever seen."


Before Mark could agree… Tsu Tsu Mei let me know that she appreciated the compliment… she smiled and said "thank you" in perfect english.


Shocked that my subterfuge was exposed at first I was a little embarassed… until Mark took that half of a second to start in on her. No way I thought… I was the one who paid the compliment… I was going to be putting the moves on Tsu Tsu Mei. I’m not sure Australian guys understand the concept of a good ‘wing man’ but Mark sure had some learnin’ to do. He needed to watch the movie ‘Top Gun’ and take some notes.


Tsu Tsu Mei and I arranged to meet later that night in downtown Shanghai and proceeded to become great friends. She even took me to meet her parents… Norman Tsu… the first deaf technical drafting instructor in all of China and his ‘deaf wife Janie.’


Tsu Tsu Mei’s father Norman was sent to the United States to study technical drafting in the fifties. He went to Gaudellet University and he confided in me that he really liked it… that he didn’t want to come back to China… he stopped writing home and corresponding with the government… he wanted to drift away… but they corralled his mother who was a widow by this time… and they made her write Norman a letter that made it really clear that it was in her best interests that Norman return to China. That’s how China got its first deaf technical drafting instructor. Or how they got him back.


Norman always referred to his wife as ‘My deaf wife.’ Both of them were deaf and we passed notes to each other over a marvellous dinner… while Tsu tsu Mei just kept smiling at me and at her parents… unbelievable food Normans deaf wife cooked. It was a feast… and not the Chinese food I was used to… this was exotic and unknown to me. The Tsu’s really went out and they’ve been in my thoughts many times since then.


The Tsu family was really good to me and things were moving right along with Tsu Tsu Mei too until that soldier decided that he’d turn our little hand holding session on the Shanghai riverfrint into a Kodak moment. I had seen that guy following me before… he was the tallest Chinaman I’d ever seen… a full head above the rest of the general population. I found great amusement in shagging him… going into a store and going out the back door. It was really like a game. Still… he always found me… he was on me for days there in Shanghai. And after he took that picture I realized that my company with Tsu Tsu Mei wasn’t looked upon favorably by the authorities. She was terrified of the repurcussions. I knew that was it… I wasn’t going to get her or her family inot any trouble. I was going to get out of Shanghai.


I purchased a train ticket on a sleeper train for the seventeen hour ride from Shanghai to Beijing. How was it that I could go to a city the size of Beijing almost a thousand miles to the north and find this man called ‘The Crocodile’ simply by asking? It seemed completely insane… but such was the world I found myself in this year… for me, 1990 was the year of living insanely.


After seventeen hours of watching China slide by through the window accompanied by the soundtrack of nonstop kung fu videos on the train’s television sets, I stepped off the carriage in Beijing, China’s capital city. Which was a godsend because I could not have taken one more of those videos. The Chinese truly love them… they must be a part of their national identity… the way that the Japanese love Godzilla. Godzilla was a mechanism that helped the Japanese to cope with their loss of World War Two and the painful shock of getting Nuked twice. Even though Godzilla always stomps their cities to pieces they always triumph. It’s like a morality tale with them.


When I was living in Osaka someone who worked in the studio that made the Godzilla movies decided to borrow the costume and wear it to a party where he caused it to be damaged to the tune of a hundred and seventy five thousand dollars. I wish I was at that party. Hanging out with the Nigerians. That would have been epic.


The first european looking guy I saw in Beijing… I stopped him as was my custom in the orient and inquired of the conditions and opportunities there in this new city. Blonde hair in China or Japan had always meant ‘help desk’ to me. We vagabonds and adventurers always stuck together and usually became instant friends as long as there wasn’t a woman involved.


Then I asked him if he had ever heard of ‘The Crocodile.’


He said that he would take me to see him right now. Right then. Right there. Unbelievable. I’m not kidding. No shit. I couldn’t believe it either.


I had found ‘The Crocodile.’


The man walked me to a hotel a few blocks away from the railroad station. It was an old building that looked straight out of the 1920’s, like just about every other building in Beijing. You could see that it was really beautiful at one time… maybe even opulent or exclusive… but it, like anything else that was once beautiful or opulent, it seemed to fall into despair and decay under the custodianship of the communists. That was the way pretty much all of Beijing looked. With brown air and trees and bushes that were different from all those I had even known. I always notice the trees and bushes in a new city. Here on the other side of the world the plant life and the vegetation was odd to me… just unusual enough to stick out in my mind.


The man knocked on the door and we were answered by a nice looking blonde woman on her early twenties. She looked kind of pissed off but invited us in still. My guide just turned around and left with little more than a gesture to the woman. I followed her into the room.


It had become a bit of a self entertainment for me to wonder why the man I was seeking should be called "The Crocodile." It intrigued me from the moment I had heard it and in my mind I came up with all sorts of reasons for the nickname. None of them pleasant.


The room was an illustration in contrasts… inside "The Crocodile" had rented two rooms… he knocked down the wall that had seperated them and completely remolded it. This guy was livin’ cush. He sat on the edge of his bed playing with the tv remote control as if it had befuddled him… I could tell from body language that his girlfriend and he had just been fighting.


"The Crocodile" stood up and turned around to face me… the guy must have been six and a half feet tall… and immediately I could see why they called him "The Crocodile."


He wore these braces on his teeth… the largest mass of metal I’ve ever seen in a persons mouth. Communist braces aren’t very pretty… but these… "The Crocodiles" mouth looked like it had been installed by a blacksmith… an angry, drunken blacksmith. Like hammered bars of hot metal hand forged around each of his teeth.


I had to make myself stop staring as he got right down to business. Croc asked me when I wanted to leave… he said he had one ticket and he wanted a hundred and ten bucks American for it. There’d be no negotiating I could tell that right away. I had a feeling that if I tried that he’d have just relieved me of all my dough right there. Probably my gear too.


We were in a bit of a funny situation for a couple of reasons… I thought the ticket looked fake… it looked worse than some of the permits and passes I’d forged in school. I didn’t have a visa to enter Russia… and I didn’t carry that kind of currency in US dollars. I wasn’t too sure that the Russians would actually be too excited about me coming to their country either. When I expressed this to "The Crocodile" he laughed a powerful and boisterous laugh and told me not to worry about it… he’d just gimme the ticket on good faith… so I could try and get a visa and cash a travellers check or something to come up with the Dollars he wanted. Besides he said "I know where your seat is and when you’ll be leaving and if you fuck me I’ll kill you" after which he laughed another deep laugh and gave me a half hug. "I want my money by next week he said." and walked me to the door where he said goodbye and his girlfriend gave me another dirty look.


That was it. Absolutely fucking unbelievable. I’m in Beijing less than two hours and I found my guy and I got my ticket. Now I just needed a visa from the Soviet Consulate. He’d also tell me there if the ticket was real I figured.


But right now I needed a place to stay. That would have to be my first order of business. The Croc’s hotel seemed a little too luxurious for my budget… I needed something ‘dumpier.’ Something where my kind’d fit in you know?


I walked out of the hotel and on to the street… pausing for a moment to take a breath of the sulfery yellow tinged air and feel the pulse of the street there…a moment to let the vibe of it all sink in. I could have gone left or I could have gone right but it really didn’t matter because I had no idea where I was going anyway. It’s like a rule with me… like walking on the upwind side of the street because that’s where all the paper money blows. Go left.


My friend Joel… the guy who’d saved my ass from the knife weilding Yakuza that pressed certain death into my throat in that bar in Osaka… he told me that he went insane and that he would hear these voices in his head that always said the same thing… "look to the left Joel." If he wasn’t crazy already he said that those voices would do it… he never understood the meaning of it. Stupid voices in your head… they never tell you anything good… like "stay away from that one… she’s trouble." They’re always all cryptic. You gotta try to figure them out and break the code. Joel said the lithium they gave him pretty much shut the voices down. I never had heard voices though. It would probably be fun for a day or two… just to see what they would say. I think if I had voices they would sound like Vincent Price on LSD.


So I went left after I walked out of the Crocodile’s hotel. I usually always go left when I got no idea but this time I was especially glad I did.


I get about a block and right there smack dab… badda bing… I run into this guy I lived with in Osaka Japan… Mike Levine… a Jewish guy from Jersey. He had let me borrow a pair of his shoes because I could find any in my size in Japan. Mike’s got this big smile on his face as he sees me… we hug and slap each others backs and talk about the fight that got me thrown out of the university in Japan that we both went to.


Mike gave me directions to a suitably dumpy hotel and we parted ways.


Walking down the street I saw a couple of American girls… who turned out to be two really granola looking lesbian backpackers from Nebraska.


I stopped them there and asked them where they were staying… they said they had no idea… I invited them to share a hotel room with me if we could find one… plus the thought of girl on girl action sounded like really good fun to me. I felt like I was really going to like Beijing. It seemed like an easy city. Things were looking good.


Was this my lucky day or what?


Shit, I been here for like two hours… I already met the guy I came to meet, had a ticket for the Trans Siberian, hooked up with two lesbians and there we found a three dollar a night hotel. Six yuan a night for each of us. What more greatness could god bestow on me? Another lesbian? A blind supermodel? That would just be asking too much I thought. Lady Luck, I’ve always said, she was indeed a friend of mine.


Never look a gift horse in the mouth they say… so I unpacked my gear in the hotel room… every bit of it… and spread it all around. I always unpack fully so if I get robbed they can’t just take one bag and split… they gotta work for it… then I unscrew all the lightbulbs in the room so they gotta have a flashlight to do it well… and then I make some loud noise making booby trap… like a pyramid of empty beer cans behind the door… then they gotta have nerves of steel to finish the job. Never got robbed once. Never. I have come home more than a few times affected by some intoxicant or another and fallen vicim to my own booby traps though. It always scared the beejesus out of me.


The Nebraska lesbians unpacked too.


Time to get out of here… It was time to go have a look at Beijing.


I left the hotel in a hurry and jumped on the first bus I saw… it didn’t matter where the bus was going…I didn’t care… I was sure that I hadn’t been there anyway. That’s the great thing about exploring like that. A new city… just go anywhere. It’s all new.


Sitting on the bus I was of course the only westerner riding it. The Chinese weren’t as polite as the Japanese and they would just stare at you forever… sometimes with mouth agape even… and I found myself very much the center of attention… the center of attention was something I really didn’t want to be. I kinda wanted to blend in really. That was going to be tough.


I started having what could only be described as auditory hallucinations on that bus… that happened alot to me in China… but right there it was bad… the cacaphony of Chinese voices started to filter itself out in my hyperactive mind and become english… I could understand things sometimes… I was certain that people were commenting on how intoxicated I was… they all knew it… they were all talking about me… looking at me… ‘Is that American guy drunk out of his gourd or what?’ I had to get off that bus. The sweat was pouring from my pores. It was getting to be more than uncomfortable… it was unbearable.


The next stop was my stop no matter where it might be… soon as it stopped I jumped off that bus so fast… I didn’t even have a clue as to where I was… and I didn’t care. Away from that hash house hotel and off of that bus…I just wanted my own little piece of contraband free real estate where I could sit and watch China go by and make amusing comments in my head to entertain myself.


This was my stop.


Before me was layed an enormous plaza… I had never seen such a large paved public space. It was gigantic enough it looked like you could lay down and land a 747 in it if you went from one corner to the next. It was so big and vast that the smog of Beijing obscured the other side of it from me. I didn’t know what this place was, but it made me feel realy small… insignificant actually… which was precisely how I wanted to feel.


I stood at Tienenmen Square.


This was the old Beijing… the one that used to be before the extremely systematic exploitation of cheap labor turned the place into a giant pachinko parlor… this was the dirty, dusty and gritty beijing where products were pulled around on wagons by teams of horses who shit big piles in the streets that you’d go straight over the handlebars of your bicycle if you didn’t look where you were going. I’d seen it.


This was the Beijing where the streets seemed impossibly large considering no one really owned a car… the Beijing where the old people all wore those navy blue or black or gray kung fu outfits and walked around stooping with their hands clasped behind their backs as if some ultimate power had ordered them to for all time.


This was the square in Beijing where less than a year had passed since thousands of students took a chance to try and change their world… this was the Beijing where tanks had rolled over them without mercy and their bodies were torn apart by the callousness of lead flying around at ballisticly high speeds and cruel random trajectories. This was the Beijing where their blood ran like rivers down the curbs and into the sewers where like the extinguishing of their tender lives for naught all was soon forgotten by a world more infatuated with its demand for cheap consumer electronics in attractive clamshell packaging.


The one year anniversary of the slaughter was approaching and here as if by accident I find myself in the place where history was made and so conveniently forgotten.


Here and there I could still see bullet scars, burns and other marks that told the tale of a failed movement killed in a single night of murderous debauchery.


It was eerie in Beijing. I couldn’t put my finger on it. Was it just the intoxicant’s influence? I couldn’t place it until I found a nice grassy place to sit down and let everything stabilize. Let my altered mind stop spinning.


The young people were all gone.


The government had sent what looked like the entire youth of the capitol city to ‘summer camp,’ where they’d sing patriotic songs and watch lots of motivational films and learn the error of their ways. It was re-education for the entire young population… there was almost no one walking around that city bettween the age of fourteen and twenty one. It was spooky… strange mojo in a strange land. Like some kind of Twilight Zone episode.


Everybody’s seen the picture of ‘Tank Man,’ that guy whose name the world doesn’t know… the one who was walking home from the grocery store with a couple of plastic bags in his hands… the guy who became a lonely human roadblock for a column of tanks… I know I could never forget that guy… he had balls the size of watermelons that one. I woudda love to have bought that guy a drink or eight.


I was walking down that street and a momentary sense of deja vu made me stop… It felt like I’d been there before… it didn’t take too long for the reality to hit me… I was standing in that spot. In the Tank Man’s spot. The premonition came from looking at that photograph.


There was a pay phone there… on the side of the street… you can see it in the Tank Man picture… I thought my parents might like to know where in the world I was so I tried to call them from it without luck. Maybe they’d think it was cool that I was calling them from there I thought.


I wanted to feel the scene out… I wanted to let it all sink in a little bit so I sat down and I had a look around. It all began to unfold in my mind… the direction the tanks came from… the sounds they’d make… their squeaking tracks rolling on the asphalt echoing in the canyon of concrete buildings… I could see the crosswalk he was walking across when it happened.


I stood up, still painting the scene on the canvas of my mind with the brushes of my imagination and I walked towards the crosswalk… just as he did that remarkable day.


Man… sometimes even I have a hard time putting things into words… sometimes feelings, emotions and perceptions are just too powerful and swift to get a grasp on.


Surveying the scene where this historic collision happened from the street… it was so much different than the picture we all know… that was shot from high above… it’s got a whole different tone than the lonliness and isolation that the street level offered. Just like in the square where I had felt so small… even the street there was massive in width… one of those subcompact cars flying through the smog could have crushed me like a bug. The thought of standing my ground in front of a column of many ton armored tanks with their diesel engines shaking and belching thick black smoke and rumbling in anger… I’ll tell you this… with the greatest respect that I can muster… that guy… at that moment… he took on the entire world. He was a bad ass motherfucker who said ‘hey… I don’t like what’s going down here.’ and he backed it up with his hundred and fifty pound body alone in the streets. He never even put those grocery bags down. But for a moment, that man stopped the world. He stood his ground. He stood our ground. He stood for everyman that day.


I didn’t.


I didn’t even chance stopping where he did. I didn’t want to stop a bus.


When I got across the street I walked back towards Tienenmen Square wondering what happened to the guy.


These thoughts were crisply punctuated when I found the remains of a completely flattened bicycle. It had been run over by something pretty heavy because it was as flat as a bicycle could conceivably become. It even had a curve to it… a lot of parts were gone but the frame, the handlebars, even the rims were crushed flat. I picked it up, still thinking about Tank Man and I realized what it meant.


Something inside me wanted to take it home… to show my people… people born and raised with a freedom fought for by others… I wanted to show them what we pretty much let happen here… the great crime that we ignored. It was a strong symbol to me at least of an oppresive government that lost it’s temper on it’s own people.


I’d never get that flattened bicycle home, but I carried stashed inside the tubes of my backpack messages that people had asked me to carry out of the country to a place where mistakenly so they thought good and decent people might give two shits about the treachery bestowed upon them in their quest for what we have but could really care less about. A freedom so strong… a freedom so deep that it was a part of me wether I was conscious about it or not… a freedom that formed the person I was and carried me on a long and mostly accidental journey to a place where youth was cut short for having the audacity and lack of patience to demand a more tolerant society where people would count for just a little more than cheap labor.


I promised myself I’d remember what happened to them. I promised myself that on June 4th, 1990 that I’d say a prayer there in Tienenmen Square. I’d recognize their martyrdom to the cause of freedom and I’d pay my respects on the anniversary of the barbarism of their all powerful and vicious central authority.


When that morning came with its sultry brownish orange sunrise, three hundred and sixty five days after the blood letting, when the flag of a nation was raised over it’s most proud square… I was the only person that wasn’t Chinese standing there as a witness to at least offer the the quiet contempt of my heart and the objection of my soul as a counterbalance to the disgrace of the murder of these children.


There were no television cameras or satellite trucks… no journalists fixing their hair or taking notes on those long pads that they carry. Nothing.


I carried no sign or banner… I spoke no message of objection. I sought to instigate nothing.


I stood there in Tienenmen Square as a witness.


A witness to what the rest of the free world was so selfishly quick to forget.


Two days later I’d board a train that I’d get off of in another world… where a wall that represented hate and anger and mistrust would be falling, hacked to pieces bit by bit by a people celebrating a new freedom and unity.



Read more about Nice China Two Shot Plastic Parts Factory photos

Monday, December 18, 2017

Shenzhen, Oct-2017

(Posted from China Injection Mold blog)

Some cool plastic injection china images:


Shenzhen, Oct-2017
plastic injection china
Image by maltman23

AMC (plastic injection molding factory)

4th of 4 factories

on the day of factory tours

Shenzhen

October-2017


Shenzhen, Oct-2017
plastic injection china
Image by maltman23

AMC (plastic injection molding factory)

4th of 4 factories

on the day of factory tours

Shenzhen

October-2017


Shenzhen, Oct-2017
plastic injection china
Image by maltman23

Massive (2 meter tall) 3D printer

at AMC (plastic injection molding factory)

4th of 4 factories

on the day of factory tours

Shenzhen

October-2017



Read more about Shenzhen, Oct-2017

Thursday, December 14, 2017

Nice Plastic Mold China photos

(Posted from China Injection Mold blog)

A few nice plastic mold china images I found:


Shenzhen, Oct-2017
plastic mold china
Image by maltman23

AMC (plastic injection molding factory)

4th of 4 factories

on the day of factory tours

Shenzhen

October-2017



Read more about Nice Plastic Mold China photos

Sunday, December 10, 2017

Cool Mold Chinese images

(Posted from China Injection Mold blog)

A few nice mold chinese images I found:


BK0021Y-Antique-Chinese-Ming-Cabinet
mold chinese
Image by Silk Road Collection

"The cabinet is designed in the classic Ming style-sleek, simple, and graceful. The medium-brown finish reveals the rosewood grains beautifully. The doors are attached by traditional wooden pegs. The molding and the legs are rounded and the front leg spandrels are slightly curved. Inside the cabinet are two ""finished"" storage areas and two drawers. The hardware is brass.

Two of these cabinets are currently available but can be sold separately. Price listed is for each cabinet."


Grass Mud Horse – a Maquette for Ai WeiWei
mold chinese
Image by melter

one finger salute from an empty Chinese handcuff. Cast iron base cast in green sand at Ox-bow in 2007, aluminum "finger" cast in 2012. Finger was cast in a burn out mold, using a bamboo Chinese handcuff (finger trap). You are only trapped if you resist in the way expected.


Leamington Spa Station – bridge on High Street in Leamington – Jordans Fireworks
mold chinese
Image by ell brown

This is Leamington Spa Station in Warwickshire.


I got here on a Chiltern Railways train from Solihull.


Was lucky that I had blue skys in Leamington, especially for an October day (have been having many blue sky days in October 2011).


The current Art Deco building was opened in 1939.


And is Grade II listed.


It was opened by the Great Western Railway to replace the original building of 1852.


The building was restored by 2008 by Chiltern Railways.


Grade II listing Leamington Spa Station, Including Attached Platform Structures, Royal Leamington Spa – British Listed Buildings


Main line station 1939 for Great Western Railway. Steel-framed sheathed in brick; faced with Portland stone above polished granite plinth; brick to rear/platform elevations. Flat roofs with parapet. Wooden sashes with stone architraves. Platform canopies steel girders with cast iron columns. Art Deco neo-classical style.

EXTERIOR: To forecourt, ENTRANCE RANGE of 3 storeys and 9 bays, LEFT RANGE of 2 storeys and 14 bays, and single storey RIGHT RANGE. ENTRANCE RANGE has advanced ground floor with granite plinth, rusticated Portland stone, and parapet. Main entrance has granite architrave, pair of glazed doors with side- and over-lights, horizontal mullions and ‘ENTRANCE’ in metal lettering flanked by three 6-over-9 sashes, all under glazed canopy. Above this, 5-part facade has central 3 bays defined by shallow pilasters with stepped vertical detailing, flanked by slightly taller and advanced single bay, then double end bays; all with 6-over-9 pane sashes to 1st floor, 3-over-6 pane sashes to 2nd floor, and projecting stepped cornice below parapet. ‘LEAMINGTON SPA STATION’ in sans serif lettering to parapet over central 3 bays. To right, single recessed bay blank above entrance. RIGHT RANGE has 1-storey subway entrance with 3 wide openings outlined in polished granite under 3 blind panels, inside walls canted to subway passage. LEFT RANGE has parapet roof above flat cornice, banded string course, and continuous polished granite plinth. Central bay advanced slightly with pair of 4-over-6 pane sashes above entrance with granite architrave. Two 6-over-9 sashes to otherwise mostly blank first floor, and 6-over-9 sashes to ground floor with secondary entrances to each end also within granite architraves. Far left is advanced with similar windows and door on return. Return elevations stone with brick to rear/platforms. INTERIOR: Booking Hall and subway tiled above granite plinth. Stairs to each platform with stick metal balusters, some wavy, and wooden handrails. Balustrade and newels at platform level have circular and wavy details.

PLATFORMS: 2 primary platforms ‘Down’ and ‘Up’ (to London), and 2 shorter platforms for stabling trains. The linear platform buildings have brick walls with granite plinth and cantilevered canopies edged with bargeboards and framed with steel girders springing from stone pilasters and stepped corbel blocks. Platform extends beyond the buildings where canopies are supported by paired cast-iron columns. Down platform has former telegraph room with wooden and glazed panelled entrance, waiting room, buffet, lavatories. Up platform has waiting room and service rooms. Wood framed glazed doors with metal mullions, handles and curved bars in a Deco style. Waiting rooms finished with wood architraves to doors and fixed pane with overlight windows to platforms, blocked fireplaces, coved and beamed ceilings, and fixed wooden bench seating. Buffet fully panelled with polished walnut, continuous bar similarly panelled below moulded edge, back bar; fireplace to north with mirror and panelled overmantle and fluted band to top. Lavatories with wooden doors and stone Deco style fireplaces. Some original benches with ‘GWR’ scrolled in supports on platforms.

HISTORY: This station replaced the 1853 Brunel station that was demolished in 1935, which had in turn replaced the large Georgian Eastnor Terrace.

SOURCES: Great Western Railway Magazine July 1937, December 1937, March 1940.

Royal Leamington Spa courier Nov. 13, 1936.


Took these as I was leaving Leamington.


Railway bridges under the station.


I would have got this bridge first, but I earlier went down Lower Avenue, so got it on the way back to the station.


Bridge on High Street in Leamington


Also passing under is Bath Street and Clemens Street.


A quick shot of Jordans Fireworks – not to long until this years Fireworks Night.


They sell Chinese Flying Lanterns and other fireworks types.



Read more about Cool Mold Chinese images

Thursday, December 7, 2017

Cool Mold Makers China images

(Posted from China Injection Mold blog)

Check out these mold makers china images:


2017-08-04_2122i_chemher
mold makers china
Image by lblanchard

It’s a hard-knock life (for stuff)

What did the bookworm say to the library? It’s been nice gnawing you!


Okay, we admit: there’s nothing funny about destructive insects. Museums and libraries work hard to prevent pests from settling in — one reason why there’s no food and drink allowed in galleries.


You can see a latticework of holes in these encyclopedia volumes from Denis Diderot’s Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des metiers (Encyclopaedia, or a Systematic Dictionary of the Sciences, Arts, and Crafts), published around 1780. These books were chomped by tunneling pests long before they came to our library. What we call "bookworms" can actually be one of several types of moths, beetles, or lice. They bore through leather and cloth bindings, or feed on the microscopic molds and fungi that grow inside books after exposure to moisture. In early modern China, some book-makers treated pages with arsenic to repel damaging insects. Today, infested collections may be treated with fumigation, but many conservators prefer to de-louse books using extreme temperatures — like freezing — rather than harsh chemicals.


Things Fall Apart: Exhibition at the Chemical Heritage Foundation Museum



Read more about Cool Mold Makers China images

Wednesday, December 6, 2017

Cool Rook Rifle images

(Posted from China Injection Mold blog)

A few nice rook rifle images I found:


Image from page 178 of “Thrilling stories of the Great War on land and sea, in the air, under the water” (1915)
rook rifle
Image by Internet Archive Book Images
Identifier: thrillingstories00mars
Title: Thrilling stories of the Great War on land and sea, in the air, under the water
Year: 1915 (1910s)
Authors: Marshall, Logan Parker, Gilbert, 1862-1932 Thompson, Vance, 1863-1925 Gibbs, Philip, 1877-1962
Subjects: World War, 1914-1918 World War, 1914-1918
Publisher: [Philadelphia, Pa.?] : [s.n.]


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Text Appearing Before Image:
~£ .3 g o.{5.S THE UNSPEAKABLE ATROCITIES was in the neighborhood. The German ran there tofetch her, dragged her back to the chateau and led herto the attic; then, having completely undressed her,he tried to violate her. At this moment M. X., wishingto protect her, fired revolver shots on the staircase andwas immediately shot. The non-commissioned officer then made Mme. X.come out of theattic, obliged herto step over thecorpse of the oldman, and led herto a closet, wherehe again made twounsuccessful at-tempts upon her.Leaving her atlast, he threw him-self upon Mile. Y.,having first handedMme. Z. over totwo soldiers, who,after having vio-lated her, one onceand the other twice, in the dead mans room, made her pass the nightin a barn near them, where one of them twice againhad sexual connection with her. As for Mile. Y., she was obliged by threats of beingshot, to strip herself completely naked and lie on amattress with the non-commissioned officer, who kepther there until morning. 153


Text Appearing After Image:
At Least They Only Drown YotjbWomen. THE UNSPEAKABLE ATROCITIES It is generally believed at Coulommiers thatcriminal attempts have been made on many womenof that town, but only one crime of this nature hasbeen proved for certain. A charwoman, Mme. X.,was the victim. A soldier came to her house on the 6thof September, toward 9.30 in the evening, and sentaway her husband to go and search for one of hiscomrades in the street. Then, in spite of the fact thattwo small children were present, he tried to rape theyoung woman. X., when he heard his wifes cries,rushed back, but was driven off with blows of thebutt of the mans rifle into a neighboring room, of whichthe door was left open, and his wife was forced to sufferthe consummation of the outrage. The rape rook placealmost under the eyes of the husband, who, beingterrorized, did not dare to intervene, and used hisefforts only to calm the terror of his children. ARSON AND MURDER RAMPANT Personal liberty, like human life, is the object ofcom


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Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.


2013 All-Army Marksmanship_002
rook rifle
Image by North Dakota National Guard

The North Dakota National Guard’s Marksmanship Team poses with its plaque after earning third place out of all marksmanship teams in the entire U.S. Army at the U.S. Army Marksmanship Unit’s U.S. Small Arms Championship, or “All-Army” competition, in Fort Benning, Ga., Jan. 28-Feb. 8, 2013. Pictured from left are Sgt. 1st Class Gary Varberg, coach, Master Sgt. Brian Rook, Sgt. Evan Messer, Spc. Tyrel Hoppe, Spc. Christopher Lundberg and Tech. Sgt. Joshua Von Bank, coach. Rook and Von Bank serve in the North Dakota Air National Guard’s 119th Wing, Fargo, and the remaining shooters serve in the North Dakota Army National Guard’s 817th Engineer Company (Sapper), Jamestown. (Courtesy photo)


For more on the North Dakota National Guard, check out:

Website: www.ndguard.ngb.army.mil

Facebook: www.facebook.com/NDNationalGuard

YouTube: www.youtube.com/NDNationalGuard

Twitter: www.twitter.com/NDNationalGuard


Copyright information: www.ndguard.ngb.army.mil/news/pressroom/Pages/Copyright.aspx



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Sunday, December 3, 2017

Nice Mold Making China photos

(Posted from China Injection Mold blog)

A few nice mold making china images I found:


Ballerina Lea 2012
mold making china
Image by napudollworld

Both dolls are twins. Both are ballerina Lea 2012. The one wearing a blue dress is made in China while the one wearing a red dress is made in Indonesia. There is a difference in facial mold.


baby mantis made in china
mold making china
Image by greeneydmantis

for size comparison, this is the little "made in china" mold with the plastic plug to inflate the beach ball



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Wednesday, November 29, 2017

Memories of Bristol"s Grand Spa Ballroom

(Posted from China Injection Mold blog)

Some cool plastic molded part images:


Memories of Bristol’s Grand Spa Ballroom
plastic molded part
Image by brizzle born and bred
Dancing Through Time


The Spa in Clifton opened to great acclaim but is now derelict


MANY rising stars of the 1950s, such as Shirley Bassey, Petula Clark and Peter Sellers, appeared at Clifton’s Grand Spa Ballroom. And thousands of Bristolians enjoyed the sounds of big bands here, at a dance hall which has been locked up for more than three decades.


But this was no ordinary dance hall. Situated at the foot of a steep staircase leading off Sion Hill, it had originally been built as the Pump Room of the Clifton Grand Spa and Hydro, an upmarket hotel which opened near the suspension bridge in 1894.


Often entertainment was laid on here for the personnel of Navy ships, such as at the time of the visit of various warships in 1898. It was described as a hall of admirable proportions, 100 feet by 57 feet, ceiling height 27 feet, elegant and light with an uninterrupted view from the windows of Leigh Woods, the Suspension Bridge and Nightingale Valley. In the centre was a fountain of white marble with a raised fluted basin. All doors, window frames, panelling and floor were made of oak.


In 1898 it was reported that the Pump Room, being part of the Spa and Hydro, had not only been redecorated but also a passenger elevator had been installed to give access to all the floors of the hotel.


This had been financed by wealthy publisher, entrepreneur and one-time MP Sir George Newnes, who was also the promoter of the adjoining Clifton Rocks Railway. Seven hundred influential Bristolians were invited to the opening dinner. After a sumptuous meal followed by the obligatory speeches, they were entertained by the Band of the Life Guards and singing from Madame Strathearn.


The directors of the Clifton Grand Spa and Hydro boasted that its grand Pump Room was the “most highly decorated and finest in the kingdom”.


However, by 1922, the popularity of the Pump Room and Spa had waned and it was turned into a cinema. Six years later, it became a ballroom, and by the 1950s and 1960s it was one of Bristol’s most popular dance halls.


Long-serving entertainments director Reg Williams, who had his own top band at the Park Row Coliseum in the 1930s, developed a cabaret policy featuring many youngsters destined to be stars.


The 15-piece Grand Spa band was the first to introduce Latin American rhythms to the city.


The musicians played from a bandstand in an alcove, a place from which visitors once took the spa waters pumped up from 250ft below, through the rocks from Hotwells. Dennis Mann, who ran the Grand Spa Orchestra for 10 years from 1960, remembers the ballroom with much affection.


“It was such a wonderful ballroom,” he recalled.


“As a musician, I’d toured all over the country, but this was something different.”


“People danced between ornate pillars. At the bottom of the staircase there were marble

steps leading into the ballroom.


“I remember that the women were well-dressed. Up north, they danced wearing headscarves, but at the Grand Spa they were beautifully dressed. And the men wore suits

and ties.”


The singer for Dennis’s band was his wife, the late Shirley Jackson.


“We were working in different parts of the country,” he recalled, “and I thought the only way we could see each other was by forming my own band, with Shirley in the nine-piece set up. We broadcast for the BBC’s old Light Programme from the Spa, and we once played with the singer Janie Marden for a live radio outside broadcast.”


“The ballroom was open six nights a week. We called Thursdays ‘reps night’.


That’s when firms’ representatives who were in Bristol for the week turned up for a night out before going back home the next day,” said Dennis.


“Friday nights was always kept for private functions. We used to play at lots of dances for firms like Rolls-Royce, police balls and press balls. Old Bristol firms, like the engineers Strachan and Henshaw, used to have their dances at the Spa.


“We used to get 800 people and more into the ballroom. On New Year’s Eve, it would probably be nearer 1,000. I remember that during the interval the band would jump into their cars and go around to the nearby Coronation Tap for a couple of pints of cider.”


After Dennis left the Grand Spa, he joined the QE2 as bandmaster for six months.


“I was on board when the SAS were winched onto the ship from a helicopter during a bomb scare,” he recalled.


The Grand Spa sparked countless romances, as couples danced between the splendid marble pillars. A popular feature was a machine in the ladies’ toilets, girls who put in sixpence got a spray of perfume.


Delphine Lydall, who lives opposite the old ballroom, remembered: “It was very ornate, very Victorian. I met my husband there on a Monday night. Monday was the under-21 club night. It was all run very properly, and it finished at 10.30pm.”


There were blue and green upholstered wooden-framed chairs, and built in red leather settees that lined the room. The huge 1920s lights were retained, but were dimmed, and used in combination with wrought-iron lantern holders, screwed into the oak plinths of the marble columns to make the place more intimate. The raised platform on the North West side that was installed in the 1922 cinema, covering one fifth of the total floor area, was retained. A second new raised platform was introduced in the alcove, where the stone fountain once stood, which served as a jazz band stand. At the time, it was described as a three-level rostrum with a shell-back for the orchestra. The Music Gallery was turned into a buffet and additional bar for refreshments, the main bar was off the hotel end of the ballroom (underneath the marble staircase).


In the 1960s and 70s, the hotel ballroom was converted to a disco. The original retiring room between the Clifton Rocks Railway and the disco had been fitted out as a make-shift kitchen. Against one wall was a laminated worktop lined with a few 1970s floral wall tiles, with a kettle and a couple of hot rings to make teas, coffees and soup. The Music Gallery was bricked up, and plastic padding put between the bricks and the moulded plaster capitals of the pilasters on either side of the archway, to protect them, in the hope that one day it would be restored. By the middle of the 1970s, all the original decoration had been painted black or dark green and covered by a suspended hessian ceiling; wooden frames were constructed round the marble columns, which were covered in hessian, and lights were replaced with disco lighting.


The Grand Spa changed its name to the Avon Gorge Hotel some 30 years ago, and ever since then the ballroom has been standing derelict. Robert Peel, the hotel’s new owner, has submitted a £10 million scheme to redevelop the whole site, including the terraces spilling down the cliff.


He would like to restore the ballroom, but says this can only be done if permission is granted for the whole complex.


“To restore it would be a great feat, but restoring it on its own would not be financially economical,” he said.


The Grand Spa wasn’t the only post-war dance venue in the city. The Mecca organisation bought the small ballroom known as The Glen, situated in an old quarry off Durdham Down. This became so popular that they built a new one, The Locarno. The site is now the Bupa hospital car park.


The Victoria Rooms was another hugely popular dance hall. The big band of Ken Lewis, who later became a full-time official of the Musicians’ Union in Bristol, often played there.


A couple of hundred yards down Queens Road, opposite the university’s Wills Memorial Building, was the Berkeley Cafe, owned by the Cadena group, which advertised itself as the “largest and most up-to-date cafe in Bristol”.


With seating for 1,200 people, the Berkeley Orchestra played three sessions each day.


The popular “tea dances” held in the cafe’s Queen’s Hall every Wednesday, Thursday and Saturday afternoon attracted crowds of dancers from all over. The building, which retains its original name, is now a pub.


Clem Gardiner and Arthur Parkman, each with their own bands and their own following, were familiar faces at the Grand Hotel in Broad Street and the Royal Hotel on College Green.


Across the river, band leader Eric Winstone moved his musicians into the Bristol South swimming pool in Dean Lane in the 1960s when it closed for the winter. Boards were put over the pool to accommodate the dancers.


Do you have any photos tucked away somewhere of the Grand Spa ballroom, or of people enjoying themselves there, in its 1960s heyday? If so, we’d love to see them, and perhaps publish them on Flickr, so that others can see just what it was like.


2016 – Once-popular Bristol ballroom left derelict for decades could be brought back into use.


For decades, the once-popular Grand Spa Ballroom below the Avon Gorge Hotel in Clifton, has stood empty and neglected, a relic of bygone days.


Now however, there appears to be plans to bring the former venue back into use by the Hotel du Vin, the new owners of the Avon Gorge Hotel.



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Saturday, November 18, 2017

Image from page 168 of "American homes and gardens" (1905)

(Posted from China Injection Mold blog)

A few nice china mould images I found:


Image from page 168 of “American homes and gardens” (1905)
china mould
Image by Internet Archive Book Images
Identifier: americanhomesgar41907newy
Title: American homes and gardens
Year: 1905 (1900s)
Authors:
Subjects: Architecture, Domestic Landscape gardening
Publisher: New York : Munn and Co
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Biodiversity Heritage Library


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Text Appearing Before Image:
rked: I havescarcely a piece that properly belongshere. We shall have to live up tothis house by slow degrees. Butbetter this way than to have a repre-sentative collection of historicalfurniture in a poor architectural set-ting. That is an almost hopelessanachronism because it is practicallyimpossible to do anything with thehouse, especially if the furniture beof the vintage of say 1875. Everycultivated person, nowadays, is afurniture collector who is constantlyweeding out and improving his stock.Another decided advantage thearchitect had was permission to usethe small sized lights in the loweras well as the upper half of thewindows. Not many of an archi-tects patrons will readily agree tothis, and he often had much con-cern how to gain the atmosphere sonecessary to ones happiness with the big sheets of plate glassclients have demanded. Indeed the sash bars do not obscurethe vision as is always argued, more than ones vision isobscured by the projection of the nose. One may look cross-


Text Appearing After Image:
An Artistic Inglenook in the Dining-room Hasa Paneled Seat and a Colonial Mantel A Stairway Within the Stately Doorway Isthe Feature of the Paneled Hall A Quaint China Cabinet Is Built in the Cornerof the Dining-room it, and that is a development of our own day, but with sev-eral advantages, the two piers being united by an arch in theattic. We do not expect every one, however, to note all the his-torical development which has been faithfully carried out inthis Highland Mills cottage. The orthodox details, oneafter another, will impress themselves upon the much in-terested reader, such as the overhanging upon which he willone day discover the molded chamfers which, to give themill that did the work due credit, are beautifully executed,likewise the molded drops, all very satisfactory. The ex-periments of the interior were not less successful, but are eyed, and encounter the objection, but one does not care tolook cross-eyed habitually. It all depends upon the point offocus chosen. Ther


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Image from page 130 of “History of art” (1921)
china mould
Image by Internet Archive Book Images
Identifier: historyofar02faur
Title: History of art
Year: 1921 (1920s)
Authors: Faure, Elie, 1873-1937 Pach, Walter, 1883-1958
Subjects: Art
Publisher: New York and London : Harper & brothers
Contributing Library: PIMS – University of Toronto
Digitizing Sponsor: University of Toronto


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Buddhist Art. Lacquered wood. {Louvre.) concealed from Western eyes the true nature of Japan,the Occident was astonished at the speed with which entire chapter, as also all the others treating of the non-European arts, inthe volume devoted to the Middle Ages, which should be looked upon as astate of mind rather than as a historical period. It is to be observed, how-ever, that Japanese individualism tends, from the fifteenth century onward,as in the Occident, to detach itself from the religious and philosophic synthesis which characterizes the mediaeval spirit. JAPAN 103 Japan assimilated the external form of the Europeancivilizations. At a bound it covered the road that wehad taken four hundred years to travel. The Occident


Text Appearing After Image:
Buddhist Art. Buddha. Wooden statue. {Louvre.) could not understand. It thought the effort dispro-portionate to the means and destined to failure. Ittook for servile imitation the borrowing of a methodwhose practical value Japan could appreciate before 104 MEDIAEVAL ART she utilized it, because old habits of artistic and meta-physical abstraction had prepared the mind of thepeople for Western ideas. Under her new armamentof machines, of ships, and of cannons, Japan retainedthe essentials of what had constituted and what stillconstitutes her strength — her faith in herself, hercontrolled passion, her spirit of analysis and recon-struction. The reproach addressed to Europeanized Japan isnot new. She had been accused of acquiring from China—and through China from India—her religion, herphilosophy, her art, and her political institutions,whereas she had transformed everything, recast every-thing in the mold of a savagely original mind. If onewere to go back to the sources of history


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Sunday, November 12, 2017

Cool Mould Manufacturing Factory images

(Posted from China Injection Mold blog)

Some cool mould manufacturing factory images:


Image from page 47 of “Rubber hand stamps and the manipulation of rubber; a practical treatise on the manufacture of India rubber hand stamps, small articles of India rubber, the hektograph, special inks, cements, and allied subjects” (1891)
mould manufacturing factory
Image by Internet Archive Book Images
Identifier: rubberhandstamps01sloa
Title: Rubber hand stamps and the manipulation of rubber; a practical treatise on the manufacture of India rubber hand stamps, small articles of India rubber, the hektograph, special inks, cements, and allied subjects
Year: 1891 (1890s)
Authors: Sloane, T. O’Conor (Thomas O’Conor), 1851-1940
Subjects: Hand stamps Rubber
Publisher: New York, N. W. Henley & Co.
Contributing Library: The Library of Congress
Digitizing Sponsor: Sloan Foundation


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Text Appearing Before Image:
anized product. Sheet rubber is made as above;is vulcanized by some of the absorption processesdescribed in the chapter on vulcaniza-tion. We now come to the second product: regularlymixed and cured rubber. Its starting point isthe washed India rubber from the washer andsheeter. We have seen that the ^^ure gum or caoutchouc isvery sensitive to changes of temperature. At thefreezing point of water it is hard and rigid, and at 42 RUBBER HAND STAMP MAKING the boiling point is like putty in consistency.There are several substances wliich can be made tocombine with the gum and which remove from itthis susceptibility to change of temperature. Theprocess of effecting this combination is called vul-canization, and the product is called vulcanizedindia rubber. Sulphur is the agent most generallyemployed. In the factory the normal vulcanization is carriedout in two steps, mixing and curing. The washedsheet india rubber which has not been masticatedand which must be perfectly dry is the starting


Text Appearing After Image:
Making i^Iixed Ritbber. point, andtlie mixing rolls sliown in the cuts are themechanism for carrying out the first step. Theseare a pair of powerful rollers which are geared so asto work like ordinary rolls, except that one revolves AND THE MANIPULATION OF RUBBER. 43 about three times as fast as the other. They areheated by steam, which is introduced inside ofthem. The sheet is first passed through them afew times to secure its softness, and then the opera-tive begins to sprinkle sulphur upon it as it entersthe rolls. This is continued, the rubber passing andrepassing until perfect incorporation is secured.About ten per cent, of sulphur is added, and a work-man can take care of thirty pounds at a time. This material is incompletely vulcanized. It isin its present condition very amenable to heat andis ready for any moulding process. Generally it isrolled out or ^^ calendered into sheets of differentthickness from which articles are made in mouldsby curing. These sheets are of especial


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Image from page 413 of “Canadian foundryman (1921)” (1921)
mould manufacturing factory
Image by Internet Archive Book Images
Identifier: canfoundryman1921toro
Title: Canadian foundryman (1921)
Year: 1921 (1920s)
Authors:
Subjects: Foundries Foundry workers
Publisher: Toronto : MacLean Pub. Co
Contributing Library: Fisher – University of Toronto
Digitizing Sponsor: University of Toronto


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Text Appearing Before Image:
supplies.Our lines com-prise the highestgrade equipmentobtainable any-where. You Cant Afford to Overlook theseMoney Saving Opportunities We are offering you at prices beyond comparison the high-est grade Foundry Equipment obtainable anywhere. If youare wide awake for real values investigate these lines. Get Our Prices on Ladle Bowls and Shanks.Steel Bands Steel Slip-over Jackets.Steel Core Plates.Wooden Snap Flasks. Youll find longer servicein our flat bottom steelladle bowls. These bowlscome in capacities from 50to 800 lbs. Dont shove this oppor-tunity aside. Write atonce for Prices and liberalDiscounts. All Steel Core Ovens Thes* core ovens have nocast parts to break. Extrasmoke pipe connection takesexcess smoke away. Alldoors have Battle Plate toreduce heat loss when door isopen. pAMP pROS Tote Box, Barrels, etc.All-Steel Core Ovens. Manufacturing and Welding Co. We can supply AluminumPattern Plates in any size. 825 DUPONT STREET, TORONTO, ONTARIO 26 CANADIAN FOUNDRYMAN Volume XII


Text Appearing After Image:
Heres the history of this jobin a jobbing foundry beforeand after machine-moulding:- Weight, 275 pounds.Flask (inside). 42 x 33 x 24 high. Before Mounting—One man put up4 moulds in 7 hours After Mounting— 4 men and one No. machine put up 45 moulds in 7 hours. 435 Labor Required For moulding, coring, closingand pouring each moudBefore—2V* man-hours.After—8-10ths man-hrs. Cost of Mounting Pattern,including labor andmaterials, .00. Labor Cost reduced 62 M: /<. Cost of Pattern Mounting saved on the first 28moulds. Reducing costs to meet1921 requirements J7CONOMY in productionis the keynote of 1921 man-ufacturing and selling prob-lems. Extravagant produc-tion costs can no longer bepassed on to a helpless con-sumer. Machine-molding must be util-ized wherever possible in orderthat selling prices will seemreasonable to buyers.The Osborn Manufacturing Company INCORPORATED Main Office and Factory 5401 Hamilton Ave. Cleveland, Ohio New York San Francisco


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Tuesday, November 7, 2017

Cool Moldings Equipment China images

(Posted from China Injection Mold blog)

Check out these moldings equipment china images:


Image from page 349 of “How to paint : an instruction book with full description of all the materials necessary.” (1894)
moldings equipment china
Image by Internet Archive Book Images
Identifier: howtopaintinstru00asal
Title: How to paint : an instruction book with full description of all the materials necessary.
Year: 1894 (1890s)
Authors: A.S. Aloe Company.
Subjects: Artists’ materials–Catalogs Painting–Technique Fountain pens–Catalogs Pyrography–Equipment and supplies–Catalogs China painting–Equipment and supplies–Catalogs Trade catalogs–Artists’ materials Trade catalogs–Fountain pens Trade catalogs–Pyrography–Equipment and supplies Trade catalogs–China painting–Equipment and supplies.
Publisher: A.S. Aloe Company, St. Louis
Contributing Library: Winterthur Museum Library
Digitizing Sponsor: Lyrasis Members and Sloan Foundation


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Color Preservingf Medium Indelible Fabric Paintingr The only Medium yet discovered by wliichpainting with oil colors can be done on silk,linen or cotton cloth, rendering the fabric softand pliable and 3et indelible and unfadingwhen laundered. Useful in decorating dresses,bed spreads and shams, curtains, draperies,table linen, dojlies, etc. If in place of turpentine the Medium isused in painting on bolting cloth, the workwill be transparent, yet unfading, and canbe easily washed. Each bottle contains 4 ozs.and will paint a large amount of surface. BERLIN CHEMICAL CO., Mgrs.. BERLIN, WIS. H. A. HYATT, MANUFACTURER, IMPORTER ANDDEALER IN Photographic Supplies, ARTISTS MATERIALS. PICTURE FRAMES, MOULDINGS,ALBUMS, ETC. N. E. Cor. Eighth and Locust Streets, St. Louis, Mo.


Text Appearing After Image:
Family Medicine Chest, S5.OO. It contains thirty vials, two drachms each,of the principal remedies, such as are usedin simple cases of Colds, Coughs, Headache,Diarrhoea, Childrens Troubles, etc. The J2.00 Case contains twelve vials, twodrachms each, including a Practical Guide toHomoeopathy. The 1^1.00 Case contains twelve vials, onedrachm each. Libera! Discount to Physicians and Druggists. FOR SALE BY HENRY R. LUYTIES, Manufacturing Homceopathic Druggist, 2i8 Pine Street, ST. LOUIS, MO. HOW TO PAINT. 343


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Friday, November 3, 2017

Cool Mold Products images

(Posted from China Injection Mold blog)

A few nice mold products images I found:


Two free splicing blocks with each reel!
mold products
Image by Carbon Arc

Kodak 7-inch (17.8cm) tape reel, early 1960s. Along their well-known photographic and motion-picture products, Eastman Kodak also manufactured recording tape and tape reels.


One distinguishing feature of their tape reels was a splicing block molded into each side of the reel. Using special splicing tape and a single-edged razor blade according to instructions printed inside the box, hobbyists could splice their own tape the same way professionals did.



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Wednesday, October 18, 2017

Cool Mold Chinese images

(Posted from China Injection Mold blog)

A few nice mold chinese images I found:


2016 – China – Beijing – Cloisonné – 1 of 5
mold chinese
Image by Ted’s photos – For Me & You

After we left the Badaling Great Wall we went to a cloisonné factory, shop and restaurant for lunch. After lunch we wandered around the shop and factory.


Cloisonné is colourful handicraft articles made by a complex manufacturing process. It includes inlaying thin gold threads or copper wires into various patterns, hammering the base, inlaying copper strips, soldering, filling with enamel, firing the enamel, polishing, gilding and adhering enamels of various colors to copper molds.


Introduced into the Middle Kingdom in the 13th century, this technique became a typically Chinese art. The technique remains common in China to the present day


Jardin Royal Chinese Restaurant Newbridge – County Kildare (Ireland)
mold chinese
Image by infomatique

Newbridge is a town in County Kildare, Ireland. Its population of 21,561 (2011 Census) making it the largest town in County Kildare and the 15th. largest in Ireland.


The town is located on the banks of the River Liffey, which provides a range of natural amenities. Upriver are towns such as Athgarvan, Kilcullen and Blessington, while downriver are the towns of Caragh, Clane and Celbridge.


Newbridge is bounded by the Curragh Plains to the west, Pollardstown Fen and the Bog of Allen and Moulds Bog to the north west. Around the Curragh, and to the east are many important stud farms.


To the south the motorway now forms a boundary to the town.


Today Newbridge is a thriving town with a population approaching 21,661, a major centre for industry and commerce, within the South Kildare region.



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Saturday, October 14, 2017

Cool Pipe Fitting Moulding Design images

(Posted from China Injection Mold blog)

A few nice pipe fitting moulding design images I found:


Image from page 48 of “Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers” (1905)
pipe fitting moulding design
Image by Internet Archive Book Images
Identifier: mortonmemorialhi00furm
Title: Morton memorial; a history of the Stevens institute of technology, with biographies of the trustees, faculty, and alumni, and a record of the achievements of the Stevens family of engineers
Year: 1905 (1900s)
Authors: Furman, Franklin De Ronde, 1870- ed
Subjects: Stevens family Morton, Henry, 1836-1902 Stevens Institute of Technology
Publisher: Hoboken, N.J., Stevens institute of technology
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress


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For a number of years previous to 1881 the shop-work course was arrangedso that, after a prescribed set of exercises in carpenter-work and wood-turning,millwrighting and steam-fitting, machinist-work, blacksmithing, molding, found-ing, and pattern-making had been performed by a class, the students were permit-ted to complete the course by constructing some machine. Thus the Class of 1876 built a Thurston autographic testing-machine. GROWTH OF THE INSTITUTE 19 several important features of the design having been previously planned in thedrawing-room. The Class of 1877 built a lubricant testing-machine. A part of the Class of 1878 assisted in the design and construction of alarge oil-tester, while other portions of the class designed and constructed a Pronydynamometer, a small horizontal engine, and a small oscillating engine. The Class of 1879 built an autographic transmitting dynamometer. The Class of 1880 assisted in the construction of a 3 V2-horse-power com-pound condensing engine.


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Ground Floor of the Carnegie Laboratory of Engineering The construction of a machine as a final exercise in the shop was there-after discontinued. Subsequent classes devoted the time which had been sospent to the performance of more extended series of exercises in the variousbranches of the shop course. About the time this change took effect, the shop course was also consid-erably extended, and a course in experimental mechanics inaugurated. This course included, as then planned, a series of sixteen experimentalexercises comprising, among others, a test of the evaporative power of boilers; 20 THE STEVENS INSTITUTE OF TECHNOLOGY experimental determination of the total heat of combustion of coal used in boilertests, and comparison of this heat with that computed from the analysis of thecoal; measurement of the friction of steam flowing through pipes; comparison ofefficiency of steam pump and injector. Order of Exercises in Experimental Mechanics, Class of 1902 Supplementary Term, June a


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Thursday, October 12, 2017

Cool Mould Manufacturing Factory images

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mould manufacturing factory
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Nice Metal Injection Moulding Hinge China photos

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A few nice metal injection moulding hinge china images I found:



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Monday, October 9, 2017

Repair and restoration must take some skill!

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Repair and restoration must take some skill!
pipe molds china
Image by shankar s.

Lucky this excavated terracotta statue is more or less intact. But still, careful removal, moving to the repair station and the subsequnt restoration must take some skill and patience! The terracotta army figures were made by government labourers and local craftsmen in various workshops by using local materials. Heads, arms, legs, and torsos were created separately and then assembled by luting the pieces together. (luting= use of liquid clay or cement to glue pieces together). When completed, the terracotta figures were placed in the pits in precise military formation according to rank and duty. The faces of the terracotta figures were created using moulds, and at least ten face molds may have been used. Clay was then added after assembly to provide individual facial features to make each figure appear different. So there goes the theory by some cynics that the emperor murdered all his men and had faces made to resemble them! It is believed that the warriors’ legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would classify the process as assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying which workshops were commandeered to make tiles and other mundane items for the terracotta army. (Xi’an, Shaanxi, China, May 2017)


Image from page 159 of “Illustrated catalogue of a remarkable collection of antique Chinese porcelains, pottery, jades, screens, paintings on glass, rugs, carpets and many other objects of art and antiquity, formed by Mr. A. W. Bahr, the well-known connoi
pipe molds china
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Identifier: liu-31289009872120
Title: Illustrated catalogue of a remarkable collection of antique Chinese porcelains, pottery, jades, screens, paintings on glass, rugs, carpets and many other objects of art and antiquity, formed by Mr. A. W. Bahr, the well-known connoisseur and authority on the ancient arts of China [electronic resource] : to be sold at unrestricted public sale at the American Art Galleries, Madison Square South, on the afternoons herein stated
Year: 1916 (1910s)
Authors: American Art Association Bahr, A. W Kirby, Thomas E. (Thomas Ellis), 1846-1924 Bernet, Otto American Art Galleries
Subjects: Bahr, A. W
Publisher: New York : American Art Association
Contributing Library: William Randolph Hearst Archive, Long Island University
Digitizing Sponsor: Metropolitan New York Library Council METRO


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rple shade, used predominantly forrobes, which have a turquoise-blue edging. Dee]) .Minggreens are used for lower layers of base, with center partand top, and for lower robes, a deep blue-tinted aubergine,yellow used for deer, stork, and details. A fine example ofearly work and in perfect condition. It is a rare exampleof the Cheng Te reign of the Ming dynasty. (Illustrated) Height, 15 inches. 482— I.mi-osixg Figure of a Deity (Ming) The imposing figure of the deity is seated on bench withrectangular pedestal of severe lines and moldings, onehand held Up and other, against girdle. Hard heavy pot-tery. The robe, witli flowing outline, is covered with a deepMing green glaze with malachite tints. Head-dress is of adeep turquoise-blue. Heavy gilding is employed for hands,face, and breast plate, which is ornamented with a dragonand clouds mostly gilt, but with parts of turquoise-blue.Pedestal is green and yellow with traces of red in the fret-work under. Height, 20y, inches.(Illustrated)


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Third Afternoon 483—Large Ma hulk Figere ok God ok Litkratcrk (Sung) Seated on an oblong base with arms folded in contemplativepose, and a benign expression on the face, the folds ofthe robes and the deep feeling of this work show high sculp-tural quality. The surface has been coated with red lac-quer paint and still shows traces of same. //eigh1, 21,-4 incites. 48+—Bronze-green Censer and Cover (Early Ming) Oblong, straight-sided vessel resting on four tubular feetwith cut-ribs at angles, flange at top and curved band-rimhandles. Body is decorated with diaper of small Squareswith round boss in each and archaic lined-border and largekey pattern medallions. Cover is deeply recessed, hasfloral ornament, and on top, a vigorously-molded Dog ofFo, with paw on ball of brocade. Imitation of ancientbronze sacrificial vessel. Soft pipe-clay pottery coveredwith a light bronze-green glaze of various shades, showingeffect of time in color of burnt-clay. Imitations of incrusta-tions of verdigr


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Image from page 488 of “The fireside university of modern invention, discovery, industry and art for home circle study and entertainment” (1902)
pipe molds china
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Identifier: firesideuniversi01mcgo
Title: The fireside university of modern invention, discovery, industry and art for home circle study and entertainment
Year: 1902 (1900s)
Authors: McGovern, John. [from old catalog]
Subjects: Science
Publisher: Chicago, Union pub. house
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress


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fe-time. How were the Blue Pictures put on ? By a set of artists, each making a different part of the picture,owing to the influences of caste and unionism in the trades.When the Chinese began to paint pictures to please theEuropeans, the effects were still more grotesque, as all the badfeatures of the bad European engravings which furnished theoriginal copies were faithfully reproduced. Describe, briefly\ the entire Chinese Process ? With a quantity of the Kao-lin the Chinese potter throws his vessel on the wheel, using such molds as may be useful, andsuch hard instruments as will shorten his labors. The article isthen set to dry. The painters now apply their blue figures andlandscape. The slip fluid is now blown on with a pipe, as theChinaman loves to spray things, or the article is dipped. As we CHINA. have shown, it is with the fineness and purity of this slip thatthe Chinaman charges his famous patience. He has ground andground in water the heritage left him by the ancestor whose


Text Appearing After Image:
Fig. 166. PORCELAIN—THE DIPPING ROOM. memory he so religiously reveres. The new vessel, painted andvarnished with slip, is now packed in a clay box called a sagger inEnglish countries, and the saggers are piled up in the kiln. Thesurrounding of clay in the sagger keeps off the smoke of the 444 THE FIRESIDE UNIVERSITY. firing. The firing goes on for over a day, and the cooling alsogoes forward slowly. Now, if the cup is good, it may be gilded.A band of gold leaf may be laid on the upper outer edge, onsizing, and the cup must be fired a second time, but in a moreopen kiln with less heat. After the cup comes out, the metalband must be polished with a hard stone instrument. Paintingmay be done over the glaze, and much of the early porcelainthat came from China was thus improved by French paint-ers, greatly reducing its present value to collectors. What were the medieval Western Potters doing ? They were making vases and ornamental articles. Famouspotteries existed on the Balearic Isles,


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